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Kunst

Galaxy Ballroom

+++ A Dance with Hilma af Klint+++

+++Janice McNab+++

ISBN 978-94-93329-21-8
Price € 30.-
Author Janice Mcnab
Editor / proofreader Eleonoor Jap Sam
Design Montse Hernández i Sala
Printing IPP Printers
Number of pages 104
Book size 20 x 25 cm
Binding softcover
Language English 
Release date September 2024
Publisher Jap Sam Books


Made possible with the support of Stroom Den Haag

+++

In Galaxy Ballroom, Scottish/ Dutch artist and writer Janice McNab traces the influence of the imaginary kurbits flower in The Ten Largest (1907), a breakthrough work of early Modernism by Swedish artist Hilma af Klint. These paintings were barely known until recently and as she rummages rural archives for more information, McNab is also thinking about her own past. Moving between now and then, she responds to af Klint with a new set of paintings and an exploration of the way the climate emergency is producing new insights into the art of the past. 

The stitched flowers that she sees repeated in af Klint’s work came out of the Swedish countryside and pre-modern ideas of connection with land. They originally held a code handed down from mother to daughter. Suffragettes provided af Klint with the keys to its painterly transformation, making farmers and militants as essential to the artist’s breakthrough as her more famous Spiritualist collaborators. McNab’s own textile archive amounted to a single silk scarf that had belonged to her mother. The ten paintings of Our Spectral Gardens turn its 1950s design into distorted land-scapes full of cuts and holes. They were made as the artist was losing her mother to dementia. Repeatedly painting the scarf had become their last remaining tie. The loss of mind at the heart of Our Spectral Gardens is not her mother’s however, it is environmental destruction and our shared bewilderment in the face of it.

McNab’s archival work advances the research on a woman artist who was ignored for most of the twentieth century, but this book traces a wider inheritance. It is part of a growing focus on past ecological visions lost in our rush towards progress.

 

About: 

Janice McNab is a Scottish/ Dutch artist and writer. She was born in Aberfeldy, Scotland and now lives in The Hague. For over twenty years, her paintings have explored the psychological landscapes of overconsumption. Her writing has focussed on other women artists, especially their haunting relationship to art history, a voicelessness that also plays through her paintings. McNab’s doctorate is from the University of Amsterdam. She was a 2022 Fellow of The Women’s International Study Centre, Santa Fe, and is currently Head of the MA Artistic Research at The Royal Academy of Art, The Hague. She is represented by Galeria Fermay, Palma de Mallorca.

A Dance with Hilma af Klint

Janice McNab

€30.00

Galaxy Ballroom

A Dance with Hilma af Klint

Janice McNab

€30.00

Kunst / Artist books / Nieuwe titels / Theorie

ISBN 978-94-93329-21-8
Price € 30.-
Author Janice Mcnab
Editor / proofreader Eleonoor Jap Sam
Design Montse Hernández i Sala
Printing IPP Printers
Number of pages 104
Book size 20 x 25 cm
Binding softcover
Language English 
Release date September 2024
Publisher Jap Sam Books


Made possible with the support of Stroom Den Haag

In Galaxy Ballroom, Scottish/ Dutch artist and writer Janice McNab traces the influence of the imaginary kurbits flower in The Ten Largest (1907), a breakthrough work of early Modernism by Swedish artist Hilma af Klint. These paintings were barely known until recently and as she rummages rural archives for more information, McNab is also thinking about her own past. Moving between now and then, she responds to af Klint with a new set of paintings and an exploration of the way the climate emergency is producing new insights into the art of the past. 

The stitched flowers that she sees repeated in af Klint’s work came out of the Swedish countryside and pre-modern ideas of connection with land. They originally held a code handed down from mother to daughter. Suffragettes provided af Klint with the keys to its painterly transformation, making farmers and militants as essential to the artist’s breakthrough as her more famous Spiritualist collaborators. McNab’s own textile archive amounted to a single silk scarf that had belonged to her mother. The ten paintings of Our Spectral Gardens turn its 1950s design into distorted land-scapes full of cuts and holes. They were made as the artist was losing her mother to dementia. Repeatedly painting the scarf had become their last remaining tie. The loss of mind at the heart of Our Spectral Gardens is not her mother’s however, it is environmental destruction and our shared bewilderment in the face of it.

McNab’s archival work advances the research on a woman artist who was ignored for most of the twentieth century, but this book traces a wider inheritance. It is part of a growing focus on past ecological visions lost in our rush towards progress.

 

About: 

Janice McNab is a Scottish/ Dutch artist and writer. She was born in Aberfeldy, Scotland and now lives in The Hague. For over twenty years, her paintings have explored the psychological landscapes of overconsumption. Her writing has focussed on other women artists, especially their haunting relationship to art history, a voicelessness that also plays through her paintings. McNab’s doctorate is from the University of Amsterdam. She was a 2022 Fellow of The Women’s International Study Centre, Santa Fe, and is currently Head of the MA Artistic Research at The Royal Academy of Art, The Hague. She is represented by Galeria Fermay, Palma de Mallorca.