HOAX (Bram Buijs)
22.5 x 26 cm
English | Dutch
Release date: December 2021
This book is published by Jap Sam Books in collaboration with MAMA and research centre Willem de Kooning Academy.
Studio Renate Boere
31,2 x 24,3 cm
Marie Louise Schoondergang
Arthur Crucq, Jeannine Hövelings, Yvonne Oordijk & Philip Peters
Ronja Driessen, Eleonoor Jap Sam, Marie Louise Schoondergang
Eleonoor Jap Sam
Graphius Group Ghent, (BE)
Verschijningsdatum: januari 2022
Deze publicatie is uitgegeven door Jap Sam Books en mede mogelijk gemaakt Jaap Harten fonds, Prins Bernhard Cultuurfonds/Elisabeth Vermaat Müller, Stimuleringsfonds Creative Industrie & Stedelijk Museum Kampen.
Voor meer informatie over de kunstenaar/ontwerper: www.christievanderhaak.nl
De tentoonstelling Christie van der Haak Nouveau Deco. Every Pattern Has A Meaning is te zien tot 30 januari 2022 bij het Stedelijk Museum Kampen www.stedelijkmuseumkampen.nl
10 x 20 cm
Dutch | English | French
Release date: January 2022
Made possible with the generous support of the Mondriaan Fund, Creative Industries Fund NL, Jaap Harten Fonds, Centraal Museum, Reflexfolie and Sign & Safety
This book is published in conjunction with the exhibition jaune, geel, gelb, yellow. Act on modernism with Antonis Pittas and Theo van Doesburg at Centraal Museum, Utrecht.
With text contributions by Maria Barnas, I.K. Bonset, Laurie Cluitmans, Johan F. Hartle, Dirk van den Heuvel, Bram Ieven, Bruno Latour, Thalia Ostendorf, Bart Rutten, Doris Wintgens.
The book publication jaune, geel, gelb, yellow. Monochrome discusses the failure, collapse and historicization of the modernist ideals espoused by Theo van Doesburg, set against the current political backdrop of mass protest. It reflects on the failing of modernity, with contributions by authors from the field of art history, architecture, philosophy, anthropology, sociology and poetry.
The book is an extension of Pittas’ residency and research at the Van Doesburghuis in 2019, coincided with the yellow vests protest, where Pittas turned the Van Doesburghuis into a performative crime scene. The murder of modernity. Based on this project, the Centraal Museum in Utrecht invited Pittas for a solo exhibition, where he curated works of Theo Van Doesburg and juxtaposed them with his work as a staged scenography of dialogue. The installation looks at the heritage of De Stijl through the current political lenses.
Antonis Pittas (1973, Athens) is a visual artist who lives and works in Amsterdam. He is an honorary fellow in the faculty of humanities at the University of Amsterdam, where he conducts research and produces work under the heading Recycling History (Contemporising History/Historicising the Contemporary). His artistic practice focuses on contemporary social and political issues, exploring topics such safety and control, economic crises and acts of resistance, as well as violence and vandalism.
24 x 32 cm
Softcover, Japanese binding
Dutch | English
Release date: Fall 2021
Made possible with the generous support of the Mondriaan Fund and Stichting Stokroos.
Koen Taselaar. Rollable Ramblings is the first comprehensive publication on the textile work of Koen Taselaar (Rotterdam, 1986).
The majority of Rollable Ramblings comprises reproductions of his tapestries, and zoom-ins on them. This visual component is complemented with essays shedding light on the works, and on the history of textile art in general, written by art critic Katalin Herzog.
Special edition made in collaboration with the Textiellab, the professional workshop of the TextielMuseum.
The work of Koen Taselaar is a unique universe in which only he determines the rules. He makes skillful drawings, but also clumsy ceramics and elaborate Tapestries.
Taselaar’s visual language emerged from the grey area in which text is not only meaning but also form. He expresses this in drawn puns, imaginary record sleeves or large psychedelic paintings. In search of ways to process his diverse output, he makes publications and large scale drawings, which function as flat exhibition spaces. Taselaar is continuously working to further develop his wide scope, for example by learning new techniques in several residencies.
Taselaar was nominated for de Volkskrant Beeldende Kunstprijs and has exhibited a.o. at Museum Boijmans van Beuningen Museum in Rotterdam, MMCA Changdong in Seoul, Kunstmuseum The Hague, Centraal Museum Utrecht and The State Hermitage Museum in St Petersburg.
11.6 x 16.7 cm
Dutch | English
Translation: Pim Wiersinga
Release date: November 2021
The cookbook that doesn’t quite fit the genre and refers to much-needed uncertainty on an empty stomach.
Yet another cookbook you’ll think! As if the mountain of cookbooks wasn’t high enough already! But dear hungry reader, one cookbook was still missing; the cookbook that doesn’t quite fit the genre and refers to much-needed uncertainty with an empty stomach. A cookbook that harks back to alchemy. Because the imperative mood is so annoying and needs to be exploited. Because the world of the psyche has endless contents that all want to feel they’re being fed.
In Snow Eggs seven dishes for seven different mental states of being have been collected. All our digesting causes great difficulties for the finest alleys in our softest facial expressions. Art helps to digest the uncertain instead of regurgitating what we already know. The menus in this cookbook belong to an old stomach that has been mapped, a stomach in which it’s all about slownesses in dark silences.
Peggy Verzett (1958) is a poet, painter and singer. She made her debut at publishing house Van Oorschot in Amsterdam, with Prijken die buik. In 2010, Vissing, was published by Querido. Haar Vliegstro, appeared in 2016. Her fourth collection of poetry will be published in 2022. ‘Poetry can communicate before it is understood’, said T.S. Elliot. This quote has become her artistic mantra; sometimes hermetics as well as supple playfulness are present in her work. The first Jana Beranova Prize was awarded to her in 2019 for her idiosyncratic oeuvre.
In the works of Paul Bogaers (1961) association and suggestion play an important role. His general approach can be described as the ‘collage method’; although his work, through the years, has taken many a turn, ‘combination’ has always remained to be Bogaers’ central theme. At the beginning of his career he made name in photography as one of the forerunners of the present interest of photographers in ‘vernacular photography’ and integration of found imagery in their work.
Pim Wiersinga (1954) is a novelist, and made his debut in 1992 with Honingvogels (honeybirds) in the Antwerp Zoo, where this novel is set. Late 2021 or early 2022 Zena’s Arena will be published, an epic about the decline of classical antiquity – which was far from ideal.
17 x 24 cm
Dutch | English
Release date: November 2021
With text contributions by Rein Wolfs, Dagmar Dirkx, Esmee Postma, Mirjam Beerman, Eelco van der Lingen
The Prix de Rome is the oldest and most generous award in the Netherlands for visual artists below the age of 40. The purpose of the award is to identify talented visual artists and to encourage them to develop and increase their visibility.
Since 2012, the award has been organised and funded by the Mondriaan Fund.
Prix de Rome 2021. Beeldende Kunst / Visual Arts accompanies the eponymous exhibition at Stedelijk Museum Amsterdam with new work by the artists who have been shortlisted for the Prix de Rome 2021. It is centred around the work of Mercedes Azpilicueta, Alexis Blake, Silvia Martes and Coralie Vogelaar. The artists are introduced by the authors Dagmar Dirkx and Esmee Postma. In an introductory essay, Rein Wolfs, director of Stedelijk Museum Amsterdam, connects the work of the nominees to current developments in the world around us, and in the art world in particular.
The international jury made its selection from a list of 217 artists who applied for the award. The selection represents a broad spectrum of contemporary artist practices, varying from film to performance, storytelling to science and craftsmanship to information technology. The four finalists reflect on current themes, they offer critical reinterpretations of past events, link untold histories to our present world or concentrate on a distant future. Each of them represents a sign of the times in their respective way. The four selected artists have a strong practice and are working towards an established oeuvre, reinforcing their own signature style and idiosyncratic approach. At the same time, they allow new developments and intuitive processes in their work.
Photo of Alexis Blake and the Prix de Rome 2021 award: Bas Czerwinski
Photo of Blake's performance "Rock to jolt [ ] stagger to ash: Daniel Nicolas
Charlotte de Goey
14.8 x 21 cm
Release date: November 2021
Made possible through the support of Hunterian Art Gallery, Glasgow University of Glasgow, Creative Scotland, Daiwa Foundation, CBK Rotterdam, An Tobar & Mull Theatre, Dutch Embassy London and the CUSP Programme, University of Glasgow
The book was presented in a launch event in Glasgow during the COP26 climate summit. This event was part of Dislocations, an international group exhibition on art and landscape which took place in the Hunterian Art Gallery in Glasgow, 8 October – 5 December 2021, curated by Dominic Paterson, Curator of Contemporary Art, University of Glasgow.
The film element of the Floating Worlds project is presented by An Tobar & Mull Theatre in Tobermory and the Hunterian Museum and Gallery Glasgow in Autumn 2021.
The project has been created in association with the residency programme, KNOCKvologan on the west coast of the Isle of Mull. Writer Miek Zwamborn and designer Rutger Emmelkamp, who live an work in this community, collaborated on the coordination of the film.
Erraid Sound – Floating Worlds is an artist book and a short film by the renowned Scottish theatre director Graham Eatough and the Dutch visual artist Andre Dekker, known for his public art with Observatorium.
September 2020 the artists spent one month in the remote coastal landscape to research Erraid Sound, the tidal flat between the Ross of Mull and the Island of Erraid. Through an exploration of our relationship with the natural environment the project offers an artistic response in drawing, writing and film to some of today’s most pressing issues: our changing climate, rising sea levels, and an ageing and sometimes isolated population.
The book contains texts and images that tell the story of a family living in a remote coastal community dealing with a recent bereavement and the elemental forces that shape their lives on a daily basis. Liz has returned to the remote family home to visit her father Martin, who has recently lost his wife and her mother, Anne. Liz needs Martin to sell the house to free up some much-needed capital. Martin is intent on seeing out his days there, no matter how clearly the house seems to be crumbling around him. The daughter Eileen is able to assist him in his final wishes but also has her own agenda. Together, they must navigate their way through these life-changing moments as outside Anne’s ghost haunts the beach in front of the house and the tide continues to rise.
A key inspiration for this project comes from both artists’ long-standing interest in Japanese culture, landscape, and the theatrical stagings of the intimate relationships between people and nature seen in Noh theatre. The story draws on the Noh play Sumidagawa about a grieving mother in search of her lost son, who navigates her way across an inhospitable river to unsuspectingly discover his shrine. The project draws on Noh’s use of masks, music, dance and ceremony, as well as referencing the first Noh performances presented on dried riverbeds.
Pedagogy - Critique - Transformation
20 x 26.5 cm
Release date: Fall 2021
Copy editor: Nora YongPublished in cooperation with The Hong Kong Polytechnic University, Environmental & Interior Design, School of Design. Published with the support of The School of Design, The Hong Kong Polytechnic University and The Cubic Research Network.
Cubic Journal is a peer-reviewed journal, published in conjunction with Cubic Society and the Cubic Research Network as an academic platform aimed at the dissemination of design-related research.
Operating from within The Hong Kong Polytechnic University School of Design, the platforms aims to draw together global scholars in order to generate, exchange and discuss contemporary questions within the pursuit of advancing knowledge through and within a number of design disciplines.
How can technological development today help studio-based learning take place in virtual space? Can technologies transform and reform design education? Can online learning replace face-to-face tutorials across different disciplines within design education? And how should design educators adapt to the new direction this era is facing?
How has technology empowered us, and what has it taken away from us? What has it done to enhance our learning and teaching methodologies? How are teachers using technology to guide students in their teaching and learning experience? How can we help students engage in meaningful learning? How has technology transformed our education scenes, and how might it affect our education scene in the future? How can design deal with the dematerialization of education? How does design education change in contextual settings? How can educators help students become more aware of these changes, specifically in design education? How do we educate our students with the mindset of transformation and reformation? To get answers to these questions the editors of this issue compiled contributions from a wide range of design educational sectors.
Remy Jungerman. Behind the Forest
Mainstudio (Edwin van Gelder)
22.1 x 31 cm
Text by Rein Wolfs, director Stedelijk Museum Amsterdam, Sara Carder. Printed by robstolk, binding by Patist.
English (translations Siji Jabbar
Co-publisher: Stedelijk Museum Amsterdam. Made possible with the generous support of Stedelijk Museum Amsterdam, Jaap Harten Fonds, Fridman Gallery, Galerie Ron Mandos, and Jap Sam Books.
Release date: November 2021
Experimenteel geworteld in het alledaagse / Experimentally rooted in the everyday
Caroline de Lint
20.4 x 27 cm
Paperback (Zwitserse bindwijze)
Release date: September 2021
This book is published with the support of Boellaardfonds, Van Eesteren-Fluck & Van Lohuizen Stichting, Fentener van Vlissingen Fonds, Fonds Stadsverfraaiing Utrecht, Gemeente Utrecht (Ontwikkelorganisatie Ruimte, Duurzame Stad, afdelingen Groen en Erfgoed)